LEA New Media Exhibition
Re-Drawing Boundaries
Focus On: STANZA
Curator: Jeremy Hight
Senior Curators: Lanfranco Aceti and Christiane Paul
LEA Editorial Assistant: Ebru SurekStanza explores the realms of interactivity and networked spaces by using real-time data from security tracking data –such as CCTV cameras. Stanza’s artworks in LEA New Media Exhibition are participatory digital works and installations that manipulate real-time information to create real time interpretations of social spaces.Stanza is an internationally recognized artist, who has been exhibiting worldwide since 1984. His artworks have won prestigious painting prizes and ten first prize art awards including: Vida Life 6.0 First Prize, SeNef Grand Prix, Videobrasil First Prize. Stanza’s art has also been rewarded with a prestigious Nesta Dreamtime Award, an Arts Humanities Creative Fellowship and a Clarks bursary award. His artworks have been exhibited globally with over fifty exhibitions in the last five years including:- Venice Biennale: Victoria Albert Museum: Tate Britain: Mundo Urbano Madrid, New Forest Pavilion Artsway, State Museum, Novorsibirsk. Biennale of Sydney, Museo Tamayo Arte Contemporáneo Mexico, Plymouth Arts Centre, ICA London, Sao Paulo Biennale. His mediums include painting, video, prints, generative artworks and installations. Stanza is an expert in arts technology, CCTV, online networks, touch screens, environmental sensors, and interactive artworks. Recurring themes throughout his career include the urban landscape, surveillance culture and alienation in the city.
http://www.leoalmanac.org/index.php/lea/exhibition/lea_new_media_exhibition_interview_with_stanza/
LEA New Media Exhibition
Re-Drawing Boundaries
Focus On: LIZE MOGEL
Curator: Jeremy Hight
Senior Curators: Lanfranco Aceti and Christiane Paul
LEA Editorial Assistant: Ebru SurekLize Mogel’s “cartographic art” projects uses maps and mappings to produce new understandings of social and political issues. Re-Drawing Boundaries online exhibition presents Mogel’s artworks which traverse the boundaries between art, cartography, geography and activism.Lize Mogel is an interdisciplinary artist who works with the interstices between art and cultural geography. She has mapped public parks in Los Angeles; cultural migration patterns in Idaho; and future territorial disputes in the Arctic. Her recent projects rethink popular representations of the world as it is shaped by global economies. Exhibitions include the Sharjah Biennial, Gwangju Biennal, and the Pittsburgh Biennial, PS1’s Greater New York, Casco (Utrecht), HMKV (Dortmund), and Experimental Geography (touring). She is co-editor of the book/map collection An Atlas of Radical Cartography and co-curator of the related exhibition An Atlas. She frequently collaborates, and has worked with Alexis Bhagat, the Temporary Travel Office and Sarah Ross, the Center for Land Use Interpretation, and the Journal of Aesthetics and Protest. She has presented her work internationally including at the Whitney Museum, the New Museum, the Carnegie-Mellon University, and the Royal Danish Art Academy (Copenhagen). She has received grants from the Jerome Foundation, the LEF Foundation, the Graham Foundation, the Los Angeles Department of Cultural Affairs, and the Danish Arts Council for her work
Re-Drawing Boundaries
Focus On: LIZE MOGEL
Curator: Jeremy Hight
Senior Curators: Lanfranco Aceti and Christiane Paul
LEA Editorial Assistant: Ebru SurekLize Mogel’s “cartographic art” projects uses maps and mappings to produce new understandings of social and political issues. Re-Drawing Boundaries online exhibition presents Mogel’s artworks which traverse the boundaries between art, cartography, geography and activism.Lize Mogel is an interdisciplinary artist who works with the interstices between art and cultural geography. She has mapped public parks in Los Angeles; cultural migration patterns in Idaho; and future territorial disputes in the Arctic. Her recent projects rethink popular representations of the world as it is shaped by global economies. Exhibitions include the Sharjah Biennial, Gwangju Biennal, and the Pittsburgh Biennial, PS1’s Greater New York, Casco (Utrecht), HMKV (Dortmund), and Experimental Geography (touring). She is co-editor of the book/map collection An Atlas of Radical Cartography and co-curator of the related exhibition An Atlas. She frequently collaborates, and has worked with Alexis Bhagat, the Temporary Travel Office and Sarah Ross, the Center for Land Use Interpretation, and the Journal of Aesthetics and Protest. She has presented her work internationally including at the Whitney Museum, the New Museum, the Carnegie-Mellon University, and the Royal Danish Art Academy (Copenhagen). She has received grants from the Jerome Foundation, the LEF Foundation, the Graham Foundation, the Los Angeles Department of Cultural Affairs, and the Danish Arts Council for her work
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